What is a "good-enough" marriage?
And why is Booth and Amato's 1997 finding, that 2/3 of divorces end "good-enough" not high-conflict marriages, so significant?
Elizabeth Marquardt wrote an excellent piece for the Huffington Post. Here are some excerpts:
"We disagree about a lot of things. Sometimes I think our kids would be better off if we both moved on."
"I've been researching and writing about children of divorce for a decade and I've heard these sentiments over and over. These parents not divorced yet, but they're thinking about it. They're raising children, struggling to make the mortgage payment and pay the babysitter, hoping to get ahead. Meanwhile, their marriage isn't what it used to be. Those pre-kid days of hanging out with friends seem the stuff of dreams now. Talking is mainly about negotiating schedules and money. Weekends are busy getting caught up from weekdays. Is this what marriage is all about? Do the kids really need this?
In a word, yes. Some marriages are plagued by such serious problems -- such as addiction, chronic infidelity, or violence -- that divorce might well be warranted. But social science research shows that about two-thirds of marriages that end in divorce are low conflict. These marriages may feel troubled to the one or both of the spouses, but they are not struggling with the kinds of serious or frequent conflict many imagine when they picture a marriage on the rocks.
It is these marriages -- what some call "good enough" marriages -- that matter so much. To any still-married parent who is considering divorce who may be reading this, I want to affirm that your "good enough" marriage is doing a world of good for your kids. By sticking with -- and working on and believing in -- your "good enough" marriage, you are sustaining one world for your child. You are affirming that the rough and sometimes not-pretty job of holding together one family belongs to you and your spouse, not your child."
Showing posts with label Elizabeth Marquardt. Show all posts
Showing posts with label Elizabeth Marquardt. Show all posts
Thursday, December 23, 2010
Friday, April 16, 2010
An Anniversary That Deserves No Champagne
We have just passed the 40th anniversary of that much vilified institution, the no-fault divorce. "It is an appropriate moment to re-evaluate how divorce affects families, and particularly children," states Ruth Bettelheim in a recent NY Times Op-Ed.
Here are some excerpts from the Op-Ed:
"As child support is often linked to the proportion of time the children spend with each parent, the days and hours of their future lives become tools for one parent to extract payment from the other. This is a recipe for warfare, with the children’s well-being both the disputed turf and the likely casualty.
In an adversarial custody battle, no one wins, but children are the biggest losers of all. Intelligent legislation could promote the one thing that children of divorce need most: peace between their parents." (It is interesting that no-fault divorce is now practiced in every state except New York.)
As good as Bettelheim’s Op-Ed was, Elizabeth Marquardt’s letter to the Editor was even better:
“Re ''No Fault of Their Own,'' by Ruth Bettelheim the argument seems to be that because parental conflict is bad for children, the solution is to make divorce easier. If only it were that simple. In our nationally representative study of adult children of divorce, Prof. Norval D. Glenn of the University of Texas at Austin and I found that even successful young people are profoundly shaped by childhood divorce.
They described how they had to travel between two worlds, and make sense of their parents' different beliefs and ways of living, something their parents were no longer required to do. Most said their parents did not have a lot of conflict after the divorce. Yet these grown children of divorce report a profound and lonely inner conflict, even when their parents did not fight.
As a culture, we can do better.”
Here are some excerpts from the Op-Ed:
"As child support is often linked to the proportion of time the children spend with each parent, the days and hours of their future lives become tools for one parent to extract payment from the other. This is a recipe for warfare, with the children’s well-being both the disputed turf and the likely casualty.
In an adversarial custody battle, no one wins, but children are the biggest losers of all. Intelligent legislation could promote the one thing that children of divorce need most: peace between their parents." (It is interesting that no-fault divorce is now practiced in every state except New York.)
As good as Bettelheim’s Op-Ed was, Elizabeth Marquardt’s letter to the Editor was even better:
“Re ''No Fault of Their Own,'' by Ruth Bettelheim the argument seems to be that because parental conflict is bad for children, the solution is to make divorce easier. If only it were that simple. In our nationally representative study of adult children of divorce, Prof. Norval D. Glenn of the University of Texas at Austin and I found that even successful young people are profoundly shaped by childhood divorce.
They described how they had to travel between two worlds, and make sense of their parents' different beliefs and ways of living, something their parents were no longer required to do. Most said their parents did not have a lot of conflict after the divorce. Yet these grown children of divorce report a profound and lonely inner conflict, even when their parents did not fight.
As a culture, we can do better.”
Labels:
Bettelheim,
divorce,
Elizabeth Marquardt,
no-fault divorce,
NYTimes
Tuesday, February 09, 2010
'It's Complicated,' But Surprisingly Accurate
Movie reviews are not my forte, so I'd like to limit my comments to several important aspects of a thoroughly enjoyable comedy.
This Home News Tribune column was published on February 3, 2010. Written and directed by Nancy Meyers, "It's Complicated" focuses on the seemingly rekindled romance of Jane Adler (Meryl Streep) and Jake Adler (Alec Baldwin), who are the parents of three terrific children and have been divorced for 10 years. According to New York Times reviewer Manohla Dargis, "Ms. Meyers transforms a divorced couple into a romantic couple, which suggests a belief in love enduring, even after a marriage dies. That sounds wonderfully romantic, or a prescription for pathology — maybe both."
Dargis describes Meyers' movies, which usually focus on independent women, using acting veterans like Streep, who "takes this character and makes you love her, just as Mr. Baldwin does with Jake, who, with his shark smiles and thrusting gut, beautifully conveys male vanity in its twilight."
But my realism detector was registering low numbers while my comedy meter was registering high ones. Connie Ogle (Miami Herald) hit the nail on the head, explaining, "A quick and completely unscientific poll of divorced women in the immediate vicinity indicates that the premise of Nancy Meyer's latest film — that women can't resist romance with their ex-husbands — is more of a fantasy than the flying lizards in "Avatar.' "
Aside from the unrealistic romance-after-divorce main theme of the movie, I found several subplots to be accurate, even praiseworthy. First and most important are the children. How cruel (of parents) to tamper with the unattainable fantasy of the children of divorce, that Mom and Dad might someday get back together. Hats off to Hollywood for not scripting another "they all lived happily ever after" ending.
The Adler children, who are appropriately still devastated from their parents' divorce, observe Mom and Dad sneaking around from one secret rendezvous to the next. The children react with shock and confusion. This is beautifully portrayed by the three twenty something children coddled up together in one bed, waiting for Mom to enter and explain what the heck is going on.
The Adlers appear to be having a pretty good divorce. Worth sharing are Elizabeth Marquardt's poignant words from her book "Between Two Worlds" — "I want to shake loose those glaringly wrong assumptions: that divorce doesn't matter if parents get along. That divorce doesn't matter if the kids don't look like damaged goods. That divorce doesn't matter as long as parents keep loving their children. We also know instinctively that divorce should be a last resort, that even a good divorce is far worse than what some call a good enough marriage."
Last is Baldwin's plea to Streep to reunite as he warmly reminisces about family dinners, aging gracefully together, and how hectic those early years of marriage were when they were raising three young children. (My problem is that I can't enjoy a Saturday night comedy without the research part of my brain kicking in, similar to what my wife mocks as my quirky habit of curling up with a good book — and a yellow highlighter in hand.)
This is another accurate portrayal by Meyers. Plentiful research has shown that marital satisfaction decreases with the arrival of each child. Additional research indicates that marital satisfaction significantly improves when the children grow up and leave the nest.
Unfortunately, Baldwin's character, Jake, left the nest for greener pastures way before his children did. Had he only stuck it out through the challenging times when there were young children at home, he wouldn't be in this complicated mess. Be Counted columnist Dr. Alan Singer is a marriage therapist in Highland Park. Respond to this column via his Web site — www.FamilyThinking.com
This Home News Tribune column was published on February 3, 2010. Written and directed by Nancy Meyers, "It's Complicated" focuses on the seemingly rekindled romance of Jane Adler (Meryl Streep) and Jake Adler (Alec Baldwin), who are the parents of three terrific children and have been divorced for 10 years. According to New York Times reviewer Manohla Dargis, "Ms. Meyers transforms a divorced couple into a romantic couple, which suggests a belief in love enduring, even after a marriage dies. That sounds wonderfully romantic, or a prescription for pathology — maybe both."
Dargis describes Meyers' movies, which usually focus on independent women, using acting veterans like Streep, who "takes this character and makes you love her, just as Mr. Baldwin does with Jake, who, with his shark smiles and thrusting gut, beautifully conveys male vanity in its twilight."
But my realism detector was registering low numbers while my comedy meter was registering high ones. Connie Ogle (Miami Herald) hit the nail on the head, explaining, "A quick and completely unscientific poll of divorced women in the immediate vicinity indicates that the premise of Nancy Meyer's latest film — that women can't resist romance with their ex-husbands — is more of a fantasy than the flying lizards in "Avatar.' "
Aside from the unrealistic romance-after-divorce main theme of the movie, I found several subplots to be accurate, even praiseworthy. First and most important are the children. How cruel (of parents) to tamper with the unattainable fantasy of the children of divorce, that Mom and Dad might someday get back together. Hats off to Hollywood for not scripting another "they all lived happily ever after" ending.
The Adler children, who are appropriately still devastated from their parents' divorce, observe Mom and Dad sneaking around from one secret rendezvous to the next. The children react with shock and confusion. This is beautifully portrayed by the three twenty something children coddled up together in one bed, waiting for Mom to enter and explain what the heck is going on.
The Adlers appear to be having a pretty good divorce. Worth sharing are Elizabeth Marquardt's poignant words from her book "Between Two Worlds" — "I want to shake loose those glaringly wrong assumptions: that divorce doesn't matter if parents get along. That divorce doesn't matter if the kids don't look like damaged goods. That divorce doesn't matter as long as parents keep loving their children. We also know instinctively that divorce should be a last resort, that even a good divorce is far worse than what some call a good enough marriage."
Last is Baldwin's plea to Streep to reunite as he warmly reminisces about family dinners, aging gracefully together, and how hectic those early years of marriage were when they were raising three young children. (My problem is that I can't enjoy a Saturday night comedy without the research part of my brain kicking in, similar to what my wife mocks as my quirky habit of curling up with a good book — and a yellow highlighter in hand.)
This is another accurate portrayal by Meyers. Plentiful research has shown that marital satisfaction decreases with the arrival of each child. Additional research indicates that marital satisfaction significantly improves when the children grow up and leave the nest.
Unfortunately, Baldwin's character, Jake, left the nest for greener pastures way before his children did. Had he only stuck it out through the challenging times when there were young children at home, he wouldn't be in this complicated mess. Be Counted columnist Dr. Alan Singer is a marriage therapist in Highland Park. Respond to this column via his Web site — www.FamilyThinking.com
Labels:
Alan Singer,
children of divorce,
divorce,
Elizabeth Marquardt,
empty nester,
Hollywood,
Home News Tribune,
marital satisfaction,
movie review
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